Our wandering path
Glimpse: The Day The Music Died
Buddy Holly
An advertisement for the Surf Ballroom in Clear Lake, Iowa.
A poster for the performance at the Surf Ballroom.
The pay phone Buddy Holly used to call his wife that night.
A sculpture of Buddy Holly's glasses marks the entrance to the crash site.
A memorial at the crash site, along with offerings left by mourners.
A cartoon and signatures on the walls of the green room.
The maple floorboards on the dance floor.
Painted fish on the sides of the original booths, still in use.
The Surf Ballroom uses the original booths, dance floor, hand-painted seaside murals and cabana awning, meant to evoke a Florida beach club.
Pat Boone’s autographed shoes, some of the memorabilia of artists who have performed at the Ballroom.
A surfboard signed by The Beach Boys.
Don McLean’s handwritten lyrics to American Pie.
When we walked into the Surf Ballroom in Clear Lake, Iowa, crews were setting up for a concert. Images of Buddy Holly, forever remembered for his last concert here, stared down from the walls, across the original booths, hand-painted murals and maple dance floor. In the wee hours of a frigid February morning in 1959, a 21-year-old (apparently unqualified) pilot was at the helm of a small airplane that plunged into an Iowa cornfield, killing Holly, Ritchie Valens, and J.P. “The Big Bopper” Richardson. The musicians were touring the Midwest on The Winter Dance Party Tour, 24 stops in 24 days. But the tour was poorly planned, with the artists zigzagging back and forth across hundreds of frozen miles in a bus so cold that drummer, Carl Bunch, was hospitalized with frostbitten feet. Holly decided to fly from Clear Lake to Fargo, North Dakota, to skip the bus and get some rest. Richardson, who had the flu, took Waylon Jennings’ seat on the plane and, when Holly found out, Holly told Jennings, “Well, I hope your ol’ bus freezes up.” Jennings replied, “Well, I hope your ol’ plane crashes,” a comment that he said has haunted him all his life. Valens asked Tommy Allsup for his seat, and they flipped a coin. Valens would fly. The plane took off shortly before 1 a.m. from Mason City Municipal Airport. Pilot Roger Peterson flew into a cloudy, snowy sky, although he was not qualified for instrument flying and was not given an adequate briefing on deteriorating weather in his path. The plane crashed minutes later, less than six miles from the airport. Investigators think he may have misread the attitude gyro, which gave the opposite visual of the artificial horizon on which he had been trained, and that he flew into the ground, thinking he was ascending. The wreckage was discovered about 9:30 a.m. Holly’s pregnant wife learned of his death from television reports, and soon suffered a miscarriage, prompting officials to change their policies and withhold victim names until notification of next of kin. Don McLean memorialized the crash in his iconic song, American Pie, in which he references how he heard the news when he was folding and delivering newspapers the next morning. “February made me shiver, with every paper I’d deliver. Bad news on the door step. I couldn’t take one more step.”
Glimpse: Effigy Mounds
Detail from poster in visitor center showing bear mounds along a ridge.
Explanation from visitor center exhibit showing what was found in mound.
Path to the mounds, enveloped in green trees.
Edge of bear mound.
Berries.
Acorn.
Wildflowers.
Wildflowers.
Spider in web.
Mushroom.
Series of mounds leading down to Fire Point.
View of the river from Fire Point, where it is believed Woodland people lit signal fires.
As you climb the hill behind the Effigy Mounds visitor center near Harpers Ferry, Iowa, you are enveloped in green, hickory and maple trees, bushes, grasses, punctuated with spots of sunlight and pink, purple, white and red wildflowers. When the Woodland people were building mounds 850 to 1,400 years ago, they would regularly burn the slopes by the river, presumably to maintain open meadows and attract large game. In a more open area, you could easily see the beautiful banks of the Mississippi River, and the mounds would be more visible. Today, they are shaded and somewhat obscured by thousands of trees. Still, you can make out the shapes, although they would be more easily seen from the air, an odd fact for builders who had no way to fly. The Native American Woodland people created these mounds, many of them for burials, piling topsoil usually four feet high, some up to 212 feet long. There are birds, turtles, bison, deer, lynx, lizards and bears, lots of bears. Bears are most prevalent here, some marching in a line downriver. Simpler dome shapes sometimes were connected with linear mounds. No one knows the true meaning of the mounds, or why the building stopped. But as you walk past the massive earthworks, you marvel at the collective effort and artistic aesthetic required.
Glimpse: Mineral Point, Wisconsin
An outcropping of sandstone with mineral striations.
One of the first restorations was a stone building, that was called Pendarvis.
Pendarvis grew to include six buildings, most dating from the 1840s, and now is run by the Wisconsin Historical Society.
Pendarvis is located on Shake Rag Street, which may have been named for women shaking rags out the windows to let the men know if was time for dinner.
The buildings used the golden sandstone found in the local hills.
The Kiddleywink Pub at Pendarvis.
Mineral Point, 50 miles southwest of Madison, Wisconsin, is one of those off-the-beaten-path places worth the drive. It was born in the early 1800s when miners found lead near the surface and started digging. They lived in caves dug out of the hills, called “badger holes,” which gave Wisconsin its nickname as “The Badger State.” When deeper mines were needed and zinc was discovered, experienced miners from Cornwall, England, arrived. By the mid-1800s, the Cornish masons were constructing stone buildings out of the local golden limestone. When the mines went bust, the buildings fell into disrepair and were being demolished. In 1935, two men, Bob Neal and Edgar Hellum, began acquiring and restoring the buildings. Artists flocked to the city in the ‘60s and stayed to open galleries and studios. And in ‘71, the city was placed on the National Register of Historic Places. You can also visit the town’s train depot, one of the few surviving pre-Civil War in the United States and the oldest surviving structure of the Milwaukee Road. Here’s a glimpse.
Glimpse: Franconia Sculpture Park
The colorful Franconia sign caught our eye and we steered The Epic Van into the parking lot.
Detail of Beck’s Playland: “I want drudgery as a prisoner and the swing to reign.”
The free Franconia art exhibit in northern Wisconsin was one of our favorite stops. This is Playland by Bridget Beck, who says her works create play lands she has imagined.
One of four fish – Gar, Mud Puppy, Lamphrey, and Catfish - by Robert Ressler, who is “dedicated to reaching out to a wide and varied audience using recreational areas and public spaces.”
Reclamation by Melanie Van Houten, which “reveals an awareness of the disappearing rural landscape that is indicative of the struggle many farmers face while attempting to maintain sustainable living for all of us.”
A busy sculptor repurposing stove racks for an upcoming metal pour.
Lizard Lounge by Mary Johnson, whose work “tends toward the fantastical,” and references vintage toys and roadside attractions.
1994 Oldsmobile Achieva S by Tamsie Ringler, who made a latex mold of the car, turned it inside out and poured in 34,000 pounds of concrete.
Got the Power, by Bayeté Ross Smith, references the role boom boxes have played in urban communities and within popular culture.
In the Saint Croix River Valley, we stumbled upon the Franconia Sculpture Park, its colorful sculptures popping up as we drove along the back roads. It is 43 acres of amazing artworks, presented by a nonprofit organization that also sponsors artist residencies and community arts programming. We wandered the grassy preserve in awe. My favorite was a multi-colored play structure by Bridget Beck, whose says her works create play lands she has imagined. “I believe that there are too few interesting, magical and thought-provoking places,” she states. “I see my sculptures as places to escape responsibility and seriousness. … I want drudgery as a prisoner and the swing to reign.” I’m totally with you, Bridget.
Elephants and motherhood, just so
Elephant eye.
Poster for Jumbo.
Unity on unicycles.
Sparkling woman on elephant.
Camels in the ring.
A vintage railcar with the circus logo.
Detail of restored circus wagon.
Circus wagon for hippo, complete with tank for water.
Clown poster.
An elephant performing.
Detail of carving from a circus wagon.
In a foggy Kansas dawn, when I was six or seven, my father woke me up and took me to watch elephants put up a big top.
My memories are as hazy as the morning mist: papery gray wrinkles, enormous lumbering legs, deft, grasping trunks. It was the beginning of a lifelong fascination with elephants and the circus, a fascination I recently fed at the Circus World Museum in Baraboo, Wisconsin.
It felt like witnessing the end of an era, with Ringling Bros. and Barnum & Bailey announcing earlier this year that, after 145 years of featuring elephant acts, it will retire them by 2018 because of the public’s “mood shift.”
Glimpse: Trail of the Cedars
The Trail of the Cedars in Glacier National Park, an easy paved and boardwalk trail, takes you through a cool, green, drippy canopy of ancient western hemlocks and red cedars, some more than 500 years old and up to 100 feet high and seven feet in diameter. The forest floor is covered in ferns, mosses climb the rocks, and waterfalls in Avalanche Creek roar in the background.
Glimpse: Polebridge Mercantile
It's a long ride down a bumpy dirt road to Polebridge Mercantile, but it's worth it.
Polebridge Mercantile is a way station for hikers, rafters and those with a taste for fresh-baked sweets.
One of the wonderful women working in the bakery at Polebridge Mercantile near Glacier National Park.
The beginnings of Polebridge Mercantile's famous bear claws.
Polebridge Mercantile's famous baked goods coming out of the oven.
Polebridge Mercantile even has Gluten-free offerings. THANK YOU.
The bakery at Polebridge Mercantile is legendary. More than one person we met on the road, hearing we were headed to Montana, said with reverence, “You have to go to Polebridge. People wait in line for the bear claws to come out of the oven.” The Mercantile is more than 100 years old, built in 1914, just outside Glacier National Park. It’s a way station for travelers, rafters, and other intelligentsia looking for food, drink, merriment and fresh-baked sweets. The website describes founder William L. “Bill” Adair this way: “He fished, using only one fly (the Coachman), and drank and grew king-sized cabbages while his wife (and later, after she died, a second wife) ran the store and lived in their homestead cabin, which is now the Northern Lights Saloon.” The bakery was started in 1994, and continues to follow the recipes Dan Kaufman, a third-generation baker from Idaho who owned the Merc for 15 years. The afternoon we visited, bear claws were going in and out of the oven, along with gluten-free pineapple-coconut bars. Yum.
Glimpse: Glacier National Park
One of the boats in the beautiful water of Saint Mary Lake in Glacier National Park.
The view from Saint Mary Lake in Glacier National Park.
One of the vintage boats that visitors can ride to tour Saint Mary Lake.
Indian paintbrush
Rock with lichen
Purple flower
Thimble berry flower
White wildflowers
One of the islands in Saint Mary Lake in Glacier National Park.
Glacier is so vast it’s hard to describe. We traversed the Going to the Sun Road on the free shuttle, rolling past cascading waterfalls, breathtaking vistas, the Weeping Wall, and precipitous drops. Then we stepped aboard an old wooden boat to tour Saint Mary Lake, where pieces of the mountains form tiny islands. We hiked with a ranger to the beautiful Saint Mary Falls, past wildflowers and aquamarine water sparking in the hot sun. The indescribable color is due to light reflecting off sediment in the water.
Followin’ the Tambourine man to the pool
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Hey! Mr. Tambourine Man, play a song for me
I’m not sleepy and there is no place I’m going to
Hey! Mr. Tambourine Man, play a song for me
In the jingle jangle morning I’ll come followin’ you
I must have been nine, because Bob Dylan’s Tambourine Man, released in 1965, was playing on the radio. It was summer in Leavenworth, Kansas, and my babysitter, who also taught swimming, was driving me and my sister to the pool for lessons.
Swimming is summer. Or summer is swimming. The two are inseparable in my mind. Bikinis, sunburns, Dylan, Big Hunk candy bars, and romance novels.
This week, The Epic Van cruised into Columbia Falls, Montana, our base camp for exploring Glacier National Park, and record temperatures in the upper 90s created heat waves on the pavement as we rolled past the community pool filled with splashing kids.
I insisted. We had to go.
Goodbye, Pippi
Pippi
Pippi, the beautiful.
Pippi enjoying the view from a picnic table by Lake Meredith in Texas.
Pippi under the covers on a cool evening in The Epic Van.
Nomads and the civilised look at each other with disapproval and misunderstanding. Why would anyone want to wander the wilderness and live in a tent? Why would anyone want to live in a box and obey unnecessary masters?
Ali, Mostly we’ve found people think it’s really cool. Many tell us they dream of being able to wander the world. Are you a nomad?