Our wandering path
Yellow Pine upgrade, Part One: The bloodletting
When we arrived in Yellow Pine, our friends Jeff and Ann were helping Nickie and Merle build a log house. Nickie, above, sprays some of the logs with borate, a preservative.
"Log in the air," rang out whenever the boom lifted one of the trunks to bring it into place.
Jeff positions a log to roll into place. Each one is individually cut to fit perfectly over the one below.
Two of the volunteers on the log cabin construction crew drill the logs into place.
Merle saws off the end of a log to level it for a post in the living area of the house.
The road to Big Creek Lodge.
A view of Big Creek.
The grass airport at Big Creeck, lined with planes that hopscotch among the high-mountain airports.
The original sign from the Big Creek Lodge.
The Big Creek Lodge, where we had meatloaf sandwiches on the deck for lunch.
A bear gives me the evil eye in the lobby of the Big Creek Lodge.
Some wildlife that gave their lives to decorate the lobby of the Big Creek Lodge.
The wall that held the television and speakers, and now has a few unsightly holes.
Ann burning barnwood for her art piece.
Ann routing the frame for the art piece, moments before routing her pinky.
Ann, with her injured finger wrapped in purple, poses with the work of art she created for our holy wall.
A close-up of the work of art, made from barn wood, with a box for my phone and pens, some vintage pieces of metal, including a bottle opener, a doorknob and a three-pronged hook, as well as a knob with an image of the world, a nod to our nomadic wanderings, and a metal mouse, commemorating the many that lost their lives in pursuit of a plague-free rolling home.
Jeff's Covid hair, which he vows not to cut until after the election.
Jeff and Ann making Jeff's famous five-alarm salsa.
"Salsa in the blender," is probably as important a safety note as "Log in the air."
A barrel of salsa, some of which left with us.
As for me and my house, we will serve tacos.
Huckleberry margaritas in Ann's glass cowboy boot mugs.
The Epic Van heading away from Yellow Pine along the South Fork of the Salmon River, with smoke from local fires hanging low.
Somebody going to emergency, somebody’s going to jail. – Don Henley
Well, no one got arrested, but by the time we left Yellow Pine, Idaho, a guy we don’t know was lying at home with more than 30 stitches in his hand, and our friend Ann had routed off the end of her pinky finger.
Yellow Pine upgrade, Part Two: The bed
The Epic Van bed as it came from the manufacturer, a convertible couch that went up and down, with a push of an electric switch. We slept parallel to the long side of the van, our feet on seat cushions that met the couch when it was flat.
A view of the bed/couch from inside the van, with the line where the seat and back are separated.
A view of the mechanism under the bed/couch that raises and lowers it. The black box is a speaker for the surround sound system.
A view of the bolt holding the bed/couch to the vehicle.
Jeff under the van undoing the four bolts that hold the bed/couch in place.
The bed/couch removed from the van.
The open space left after the bed/couch was removed. The wooden boxes on each side stored the two portable tabletops and the board that could be put between the two boxes to create a full king-sized bed. We never used any of it.
Ann cutting the lip of the black plastic flooring the bed/couch sat on. A panel separated it from the flooring in the rest of the vehicle. We wanted a flat surface for continuous storage all the way to the boxes.
Ann removing the plate for the pedestal table that we never use. We also removed the one up front.
Jeff cutting metal for the frame.
Measure twice, cut once. The back was not exactly level because of the difference in flooring, so Jeff used a second piece of metal just behind the junction to ease the transition.
Jeff grinding all the burrs off the metal pieces.
I’m ready to weld, well, to watch Jeff weld.
That’s Jeff’s happy face, as we are now welding buddies.
The beginning of the frame. The long metal pieces will be bolted to the vehicle using the same holes and bolts used by the original bed/couch. The short pieces are welded to the long pieces and will support the legs of the frame, but out to the sides to create more open storage underneath.
The first two legs are welded on.
The second two.
The side pieces for the frame and the first crosspiece.
The frame is in, with all three crosspieces. It fits perfectly and is perfectly level.
Testing out the frame and making sure our plywood will fit. A fine bed already.
Tom and Jeff consulting on the frame design in Jeff’s well-outfitted shop.
Jeff grinding all the welds smooth.
Jeff sanding everything down.
Now a nice coat of black paint.
The painted frame installed.
Ann screwing in the plywood.
Ann and Jeff, the dynamic duo!
We bought our Roadtrek RS Adventurous in 2014 and it was perfect. I loved every square inch of it, every cabinet, every drawer, the four rotating captain’s seats, the combo bathroom and shower, the tiny kitchen with its dorm fridge, two-burner propane stove and little sink with collapsible faucet, the awning on the side, the solar panel on the roof, the back doors that swung open all the way to the sides so you could zip a screen into the back, the television and VCR installed on the wall, the pump and macerator that sucked all the stuff out of the waste tanks, making dumping a breeze, and the convertible couch/bed in the back.
I marveled at the years of design and thought that created this perfect vehicle, so perfect that Tom and I could sell our house and live in it. I couldn’t imagine anything I would do differently.
I loved it so much, I agonized when a cabinet latch broke, or one of the covers for the LED lights fell off. My heart broke when Tom backed over a log at a backcountry camping spot, taking out a chunk of the fiberglass skirt that hid all the valves for the tanks and propane.
And I didn’t want to change ANYTHING, in case SOMETHING HAPPENED – one of us got sick, the stock market crashed, camping was outlawed – and we needed to sell it. I wanted it to be in pristine condition, just as it came from the factory.
Fast-forward into our sixth year in the van. It has matured and so have I.
When pleasure touring turns to truck driving
Smoke from local fires and from California drifts into the Idaho forests.
Tom shelters under a tree at Craters of the Moon National Monument and Preserve for a quick happy hour before wind and rain force him inside The Epic Van.
Rain on our window at Craters of the Moon.
High winds, with gusts around 90 mph, toppled a large pine onto a house in Evanston, Wyoming.
Another downed tree on the street in Evanston, Wyoming.
More downed branches around a rusted Cadillac.
Downed branches surround a vintage Pontiac Grand Prix at an abandoned motor court in Evanston, Wyoming.
Snow on a drive-by in Evanston, Wyoming. We don’t do snow!
The first fall dusting of snow in the hills south of Evanston, Wyoming on Wyoming 150. Keep heading south!
Fall colors in the Uinta Mountains in northern Utah are a sign it’s time to head back to the desert.
Hurricane-force winds and an Arctic blast in early September wiped out our Rocky Mountain hiking days during our basin-and-range trip, the longest in a COVID-shortened travel year.
Turns out The Epic Van is hedonic thwarting machine
Daybreak at our camp at Prairie Creek Redwoods State Park in northern California.
Nighttime dominoes in Yellow Pine, Idaho.
Wildflowers and sky in Yellowstone National Park.
Hiking a trail in Oregon Dunes National Recreation Area.
A bison outside our window in Grand Teton National Park.
Camping on the edge of the Pacific in Westport, California.
Sunset in the Florida Keys.
Sunset at our back-country campsite in Big Bend National Park.
Aspen on the trail in Great Basin National Park in Nevada.
Tom at an exhibit at the Corning Museum of Glass in Corning, New York.
A metal sculpture of a horse near Glacier National Park.
A view of the Blue Ridge Mountains in Virginia.
A blooming cactus at Organ Pipe Cactus National Monument.
More cactus at Organ Pipe Cactus National Monument.
Fog along the Pacific Coast.
Night drive to Parumph, Nevada.
Tom at our remote campsite near Mesquite, Nevada.
Hiking in Arches National Park in Utah.
Camping by the Colorado River near Arches National Park in Utah.
Sunset in Arches National Park in Utah.
The Bixby Creek Bridge on the Big Sur Coast in California.
Hiking at the Black Canyon of the Gunnison National Park.
There are some things you just know. In your gut. But it’s nice when science proves you right.
Like I know that I’ve been measurably happier in the six years since Tom and I quit our jobs, sold our house and started wandering the country in our fancy-ass camper van. When people ask, I tell them, without irony, that I love every minute. Every minute.
Now I know why. Scientifically. And it’s called thwarting hedonic adaptation.
From the archives: Big Bend National Park





























While we’ve got the emergency brake on, I thought we’d share some of our favorite spots from our five years on the road.
One of the top 10 is Big Bend National Park. Here’s the post from our visit there:
Big Bend National Park: Two campsites, four hikes and a burro ride
Emergency brake on
The beach at La Manzanilla.
A view of Organ Pipe National Monument.
Howling at the Moon, a party in the middle of the desert in Yuma.
Me, with camera, ready to take some pictures at the last Bar Flies storytelling event, now suspended indefinitely. Photo by Sophie Stern.
Mom and Jackie cooking taco fixings for the ill-fated Jeanninepalooza.
Tomatillos, peppers and tomatoes on the grill for salsa fixings.
The post card cancelling Jeanninepalooza. Too bad. So sad.
A chalk birthday greeting on the driveway of a neighbor, spotted on one of our many walks.
One of the scarves I've finished while staying in.
The scarf kit I drooled over from Purl Soho, and bought when we were on our coast-to-coast trip this year. Now finished!
Like everyone across the world, our plans have been disrupted by coronavirus.
We’re grounded, grateful for a place to shelter, dreaming of the day we’ll be back on the road, and reviewing the fabulous times we’ve had in five-plus years of nomadic living.
West to East Chronicles – A report card on our coast-to-coast adventure
Rolling along the highway.
Judy on a log bridge along the Smokemont Loop Trail in the Great Smoky Mountains.
A view from Skyline Drive in Skyline Drive, which runs 105 miles along the crest of the Blue Ridge Mountains in Shenandoah National Park.
Nate and Clayton clink early morning "cheers" with their mugs.
Paddle boards and kayaks next to the dock at Bonnie's home on the bay in Maryland.
A man shucks oysters at the fair in Maryland.
Mary Colmer plays her dulcimer in her weaving shop in Berea, Kentucky.
Tom on the Appalachian Trail.
Judy and I renewed our nomadic vows for our longest Epic Van journey since we began in 2015. We vowed to use best practices learned over nearly 100,000 miles of wandering to make our 2019 journey from Oregon to Maryland, and back to Arizona, our most rewarding adventure yet. For us, best practice revolves on leisurely rhythm and simplicity: wake up at 9 a.m., stop for a couple of hours every day and appreciate our natural heritage and neighbors; witness our history, through trails, landmarks, national parks and forests, historic downtowns, museums and roadside oddities; read something from a book and share one together; improve healthfulness through better diet and frequent hiking, and blog about it a little bit more! So here’s our report card on 10 weeks and 8,449 miles on the road:
West to East chronicles: Transition on Oklahoma 51, Gathering intel in the Ozarks, Paducah and National Quilting Museum
Fall colors and bluffs on the Buffalo River near Hasty, Arkansas.
A depression in the ridge marks where throngs of cattle passed on the Great Western Trail near Arnett, Oklahoma.
One of the Paducah, Kentucky, murals depicts the day all three of the Delta Queen's Steamboat Company's boats docked simultaneously in 1996.
Fall colors and bluffs on the Buffalo River near Hasty, Arkansas.
A depression in the ridge marks where throngs of cattle passed on the Great Western Trail near Arnett, Oklahoma.
One of the Paducah, Kentucky, murals depicts the day all three of the Delta Queen's Steamboat Company's boats docked simultaneously in 1996.

A depression in the ridge marks where throngs of cattle passed on the Great Western Trail near Arnett, Oklahoma.
October 26 – Transition on Oklahoma 51
It’s clear and cool, near 50, with a few puddles left from showers last night as we skirt downtown Tulsa and go west. Since leaving the Blue Ridge foothills of South Carolina six days ago, we’ve traveled lands of abundant forest and plentiful rain. That’s all fading on Oklahoma 51, our lonely route to the Texas border, pavement fissured by oil and gas trucks and convoys carrying oversize pylons for windmills. Judy warns: “We’re going to have to get off this road if it doesn’t get better. It’s bouncing my tits off.” Central Oklahoma is transition country, not east but not west. Wheat is taking hold in fields of black, not red soil, and golden prairie grass is in retreat. We do a speed walk, one hour, at a high school track of asphalt in Canton, along the North Canadian (river). Judy and I travel past miles of windmills atop ridges and patches of snow east of Arnett, Oklahoma. We stop at a signpost near the 100th meridian. A plaque and post commemorate the Great Western Trail, the last route opened for cattle driven from Texas to Dodge City, Kansas, and points north. Settlers with barbed wire, quarantines to protect northern herds from Texas cattle fever and the arrival of railroads and refrigerated cars led to the demise of the Great Western Trail in the early 1890s. A compacted, eroded U-shaped portion of the hillside is evidence of more than 2 million cattle driven through here. Entering the Texas Panhandle, Judy and I agree we are getting close to our home, the West. Early evening shadows lengthen on U.S. 60 as we climb and dip through hills and folds. Snow is a few inches deep in wooded bottoms. We flatten out on the Llano Estacado before entering Pampa, Texas.

Fall colors and bluffs on the Buffalo River near Hasty, Arkansas.
October 25 – Gathering intel in the Ozarks
Judy and I are on a scouting mission in the Ozarks of northern Arkansas. We want to include water travel in our wandering next year. The Buffalo River, designated as America’s first scenic river in 1972, is on our bucket list. We want to float in mountain country to see bluffs of sandstone and limestone and look for basswood, Pawpaw, blue ash, witch hazel and spring flowers. Our challenge is to figure out how to synchronize our annual trip through the South to visit my sister Ronda and family in South Carolina with water flows on the Buffalo River, which peak in spring. Judy and I talked to a ranger at Tyler Bend Visitor Center near St. Joe, Arkansas. She gave us information on kayak and canoe rentals for the middle portion of the Buffalo River, from Carver to South Maumee. It’s the stretch of 120-mile river that fits our skill level: beginner. Judy is in for this adventure, as long as we float before the sweltering Arkansas summer.

One of the Paducah, Kentucky, murals depicts the day all three of the Delta Queen’s Steamboat Company’s boats docked simultaneously in 1996.
October 24 – Paducah and National Quilting Museum
I was ready to blow off Paducah, Kentucky, a once dominant ship and rail hub on the Ohio and Tennessee rivers, now a backwater, like so many historic places we poke around. My thoughts were fixed on 1,500 miles of road ahead and a medical appointment in Arizona in less than a week. We stopped last night for German food and drink at Paducah Beer Works, a converted bus station on the edge of downtown. Instead of retreating to the Walmart on the outskirts of town, we ventured for ice cream on dimly lit Broadway, Paducah’s commercial center at the riverfront. Neither of us were impressed with downtown, but Judy saw a sign for the National Quilting Museum as we were leaving to overnight. We decided to check out the museum today, even though we should be driving for eight hours or so. We discover more merit in downtown in morning light. You can see the Ohio River and a mural of Paducah’s history. It’s a mighty social and economic narrative of a town that thrived in an era of steam ships and locomotives and faded with the triumph of the auto and airplane in the 20th century. It’s the best community mural we’ve seen in five years. One of the panels depicts the massive flood on the Ohio River in 1937, which left 95 percent of Paducah under water, and led to construction of a miles-long river barrier protecting the community. The National Quilting Museum, is a fabulous collection of contemporary quilting, global in scope. Never judge a town in the dark. That’s why I’ll always remember Paducah.
Translucent vision: The Corning Museum of Glass


































“It does not matter what material we use. We need the technique and we need the idea. And then we need the poetry, the love that transforms the material into a piece of art.” – glass artist Lino Tagliapietra
Our recent visit to the Corning Museum of Glass in Rochester, New York, was an awesome kaleidoscope of color, texture, history, passion and whimsy. We spent hours wandering its halls, learning of the ancient making and uses of glass, watching glassblowing in the museum’s demonstration studio, where New York-based artist Deborah Czeresko, winner of the recent Netflix competition show Blown Away, was making glass potatoes with sprouts, and walking wide-eyed through the contemporary galleries. It is inspiring to see the infinite viewpoints of the artists and the deft manipulation of the delicate medium. Here are some images, with the museum’s descriptions, for your visual enjoyment.
Joy comes in the morning … with knitting needles
Knitting fingerless gloves for Christmas gifts the first year in The Epic Van.
Some of the baby hats and the doll's sweater from my recent efforts.
Currently on my needles: A cabled pullover sweater for Tom from a pattern called Hugo with a colorway called Soot.
The shawl pattern and yarn I purchased in Pacific Grove, California.
Detail of shawl.
Hand-dyed yarn and pattern from McCall, Idaho.
The Periwinkle Polka Dot booth at the Tempe Festival of the Arts.
An overall dress made with a vintage pillowcase.
Hats and scarves in the Periwinkle Polka Dot booth. The crocheted berets were made by my business partner, Tami.
One of the girl's jackets I make out of vintage tablecloths.
Curious sheep on a farm in Iowa.
We ran into another pair in the laundromat yesterday. A couple whose eyes burned with unfulfilled desire as they peered into the van. “You live here?” “Really?”
As we give them a tour, extolling the virtues of our “Minimal home, maximum life,” listening to their longtime dream of a life on the road, talking about where we camp, how many miles we’ve driven, all the places we’ve visited, we gently broach the subject of hobbies.
It’s the one subject that can kill the dream. If you like to garden, you need a patch of dirt. No go in The Epic Van. Although I have seen campers with hanging plants outside their rigs. Totally weird to me. You’re a woodworker with a lathe? You better hang onto your workshop. Taxidermy. Not enough walls.
Our hobbies – books, hiking, history, yoga, museums, food, photography, blogging – neatly tuck into our home on wheels. Almost. There is the knitting challenge.
Nomads and the civilised look at each other with disapproval and misunderstanding. Why would anyone want to wander the wilderness and live in a tent? Why would anyone want to live in a box and obey unnecessary masters?
Ali, Mostly we’ve found people think it’s really cool. Many tell us they dream of being able to wander the world. Are you a nomad?